Exercising polyperspective perception, sketching counter-places, co-areas, abutments and shapes into space – heterotopias, fanned out across the place on hand. The fearless space in a rough draft.
During a tamping/stomping and dance performance, the clay applied to a formwork is processed. The formwork encloses an empty space. The different types of movement reflect the patterns and structures of the circling. They become the text of the material being questioned – a soil language. This language can be used to erect a fictitious building. In the last act, the tamped and dried clay panels are stacked into the formwork, and the formwork is subsequently removed.
In this discourse, conducted by practioners from various self-organizing forms in Austria, (mental) spaces are opened up to make the complex layers of structure that handle such projects in reality accessible and also shareable: individual and common matters, self-determined living and residing, community-based economics, use of our resources and much more. Different responses to precarious living conditions such as house squatting will also be addressed.
the PLATEAU, merged by panels of shrinking and swelling rammed earth, was found (commons c.) … the two layers of clay, accurately put on top of each other in squares, make it the PROTOARCHITECTURE of a pedestal … unreinforced and unkilned, it is impossible to steady the material permanently – increasing desiccation entails cracks, processes of decay, slow dissolution into smallest grain sizes, DUST … yet, the capability of new plasticity when combined with water makes it the PROTOMATERIAL of repeatable attempts to form/forge/formulate …
Starting September 2020, an intense exchange of knowledge will proceed in several video meetings, discursively examining different aspects and angles of an autonomous lifestyle. Social, spacial-political and artistic considerations as well as matters relevant to society are implied. Alternate financing and organization models – already applied by „Mietshäuser Syndikat“ (Germany) and HabiTAT (Austria) for quite some time – will also be addressed. As will be models not based on property acquisition.
Roselies Haider and Mira Palmisano, who spent six weeks in Velika Kladuša in January and February 2019 to support people on the way, give account of their perceptions at Schengen’s edge.
An artistic research into the Nazi’s getaway route to Argentina leads to rambling, proliferating, spacing out. Diagrams, pictures, metaphors, all knotting together within the protagonist of the research. Narrations, fringing at the margins and resisting concluding representations. Junctions and conjunctions everywhere, disturbing the orientation yet allowing to move forward. What remains are fragments, their excess amassments and intricate alignments.
Kick off lecture and opening of the exhibition “X-Y=1+silence | Molk“ kickoff lecture: Heidrun Zettelbauer, University Graz (inquired) “Educational system and non-profit association work in bilingual Lower Styria between 1880 and1938“ Text installation: Petra Kohlenprath “1893 –1973: 80 years of teaching in Loibltal, Carinthia“ Video installation: Nick Acorne
What is the art what are the humans? The exhibition shows a fragmentary retrospective and present works. Mirko Maric strolls through different worlds: real and virtual, analogue and digital, as well as banal. His works arise from the contact points and intersections of personhood and the world of art—nature, life, death. A disturbing „intoxication with questions“, „silent talks“ made visible in the public as well as the intimate space. Consequently, everything ends in an invisible fluxus edition. Subject to changes.
Die Personale stellt den Versuch dar, sich der Filmemacherin, Musikerin und Medienkünstlerin Billy Roisz in ihren mannigfaltigen Konnektivitäten zu nähern.
Exercising polyperspective perception, sketching counter-places, co-areas, abutments and shapes into space – heterotopias, fanned out across the place on hand. The fearless space in a rough draft.
In this discourse, conducted by practioners from various self-organizing forms in Austria, (mental) spaces are opened up to make the complex layers of structure that handle such projects in reality accessible and also shareable: individual and common matters, self-determined living and residing, community-based economics, use of our resources and much more. Different responses to precarious living conditions such as house squatting will also be addressed.
Starting September 2020, an intense exchange of knowledge will proceed in several video meetings, discursively examining different aspects and angles of an autonomous lifestyle. Social, spacial-political and artistic considerations as well as matters relevant to society are implied. Alternate financing and organization models – already applied by „Mietshäuser Syndikat“ (Germany) and HabiTAT (Austria) for quite some time – will also be addressed. As will be models not based on property acquisition.
An artistic research into the Nazi’s getaway route to Argentina leads to rambling, proliferating, spacing out. Diagrams, pictures, metaphors, all knotting together within the protagonist of the research. Narrations, fringing at the margins and resisting concluding representations. Junctions and conjunctions everywhere, disturbing the orientation yet allowing to move forward. What remains are fragments, their excess amassments and intricate alignments.
What is the art what are the humans? The exhibition shows a fragmentary retrospective and present works. Mirko Maric strolls through different worlds: real and virtual, analogue and digital, as well as banal. His works arise from the contact points and intersections of personhood and the world of art—nature, life, death. A disturbing „intoxication with questions“, „silent talks“ made visible in the public as well as the intimate space. Consequently, everything ends in an invisible fluxus edition. Subject to changes.
During a tamping/stomping and dance performance, the clay applied to a formwork is processed. The formwork encloses an empty space. The different types of movement reflect the patterns and structures of the circling. They become the text of the material being questioned – a soil language. This language can be used to erect a fictitious building. In the last act, the tamped and dried clay panels are stacked into the formwork, and the formwork is subsequently removed.
the PLATEAU, merged by panels of shrinking and swelling rammed earth, was found (commons c.) … the two layers of clay, accurately put on top of each other in squares, make it the PROTOARCHITECTURE of a pedestal … unreinforced and unkilned, it is impossible to steady the material permanently – increasing desiccation entails cracks, processes of decay, slow dissolution into smallest grain sizes, DUST … yet, the capability of new plasticity when combined with water makes it the PROTOMATERIAL of repeatable attempts to form/forge/formulate …
Roselies Haider and Mira Palmisano, who spent six weeks in Velika Kladuša in January and February 2019 to support people on the way, give account of their perceptions at Schengen’s edge.
Kick off lecture and opening of the exhibition “X-Y=1+silence | Molk“ kickoff lecture: Heidrun Zettelbauer, University Graz (inquired) “Educational system and non-profit association work in bilingual Lower Styria between 1880 and1938“ Text installation: Petra Kohlenprath “1893 –1973: 80 years of teaching in Loibltal, Carinthia“ Video installation: Nick Acorne
Die Personale stellt den Versuch dar, sich der Filmemacherin, Musikerin und Medienkünstlerin Billy Roisz in ihren mannigfaltigen Konnektivitäten zu nähern.
